Table of Contents
Articles
| Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight | |
| Cameron Butt | 12 |
| Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse | |
| Jayme E Collins | 6 |
| “Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement | |
| Megan Halford | 8 |
| “Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt | |
| Megan Halford | 10 |
| The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips" | |
| Raya Dawn Joan MacKenzie | 8 |
| "A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess | |
| Deborah Ogilvie | 8 |
| Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World | |
| Chelsea Wiksyk | 14 |
| “But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition | |
| Jack Derricourt | 27 |
EISSN 1927-4599
University of Victoria