| Issue | Title | |
| Vol 11 (2010) | 3 Concerti. Concerto for piano and orchestra by Alexina Louie, Concerto No. 1 for piano and orchestra by Violet Archer, and Piano Concerto by Larysa Kuzmenko (CD) performed by Christina Petrowska Quilico | Details PDF |
| Heather Olaveson | ||
| Vol 11 (2010) | 5 x 3 (CD) by Trio Fibonacci | Details PDF |
| Twila Bakker | ||
| Vol 12 (2011) | Aesthetic Appropriation of Electronic Sound Transformations in Ligeti’s Atmosphères | Details PDF |
| Sarah Davachi | ||
| Vol 7 (2006) | Aspects of Time in the Later Music of Morton Feldman | Abstract |
| Edward Jurkowski | ||
| Vol 9 (2008) | Bassa Selim: Mozart's voice of clemency in Die Entführung aus dem Serail | Abstract |
| Kristina Baron-Woods | ||
| Vol 11 (2010) | Biographies | Details PDF |
| Music Journal Manager | ||
| Vol 10 (2009) | Biographies | Details PDF |
| Music Journal Manager | ||
| Vol 12 (2011) | Biographies | Details PDF |
| Journal Manager | ||
| Vol 12 (2011) | Blurring the Boundaries: Toward a Multivalent Reading of Three First-Movement Sonata Forms in Haydn’s Op. 50 String Quartets | Details PDF |
| Stuart Paul Duncan | ||
| Vol 10 (2009) | Building Pan-Latino Unity in the United States through Music: An Exploration of Commonalities Between Salsa and Reggaeton | Abstract PDF |
| Kim Kattari | ||
| Vol 10 (2009) | Critical Cosmopolitans Commandeer the Parade | Abstract PDF |
| Nikolas Febr | ||
| Vol 5 (2004) | Crosscurrents of performance practice in nineteenth-century editions of Beethoven's piano sonata in E major, opus 109 | Abstract |
| Allison Star | ||
| Vol 12 (2011) | Death’s Voice in Zemlinsky’s Lieder: A Comparison of “Ich geh’ des Nachts” Op. 6, No. 4 and “Vo¨glein Schwermut” Op. 10, No. 3 | Details PDF |
| Heather Olaveson | ||
| Vol 9 (2008) | Distracting Music | Abstract |
| Dylan Robinson | ||
| Vol 10 (2009) | Editorial | Abstract PDF |
| Annalise Smith | ||
| Vol 11 (2010) | Editorial | Details PDF |
| Alisabeth Concord | ||
| Vol 12 (2011) | Editorial | Details PDF |
| Michael Dias | ||
| Vol 11 (2010) | FULL ISSUE | 2010 | Details PDF |
| Music Journal Manager | ||
| Vol 12 (2011) | FULL ISSUE | 2011 | Details PDF |
| Journal Manager | ||
| Vol 5 (2004) | George Caleb Bingham's river paintings revisited: Music and dance in The jolly Flatboatmen | Abstract |
| Annett Richter | ||
| Vol 8 (2007) | Goethe’s “Suleika” | Abstract |
| Cynthia Boucher | ||
| Vol 11 (2010) | Grasping Toward the Light: A Reassessment of Wolf’s Michelangelo- Lieder | Abstract PDF |
| Iain Gillis | ||
| Vol 11 (2010) | Growing with Canada: The Émigré Tradition in Canadian Music by Paul Helmer | Details PDF |
| Iain Gillis | ||
| Vol 11 (2010) | Honour Thy German Masters: Wagner’s Depiction of “Meistergesang” in Die Meistersinger von Nürnberg | Abstract PDF |
| Annalise Smith | ||
| Vol 8 (2007) | Jacques Hétu’s “Style Composite”: Sonic Planes and Large Structure in the Prélude, op. 24 | Abstract |
| Stephanie Lind | ||
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© Musicological Explorations, School of Music, University of Victoria
ISSN 1711-9235