Vol 10, No 9 (1990)

Table of Contents

Full Issue | September 1990
 
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Richard Abel, ed., French Film Theory and Criticism 1907-1939: A History/Anthology.
Reviewed by
Alex Neill, Aaron Ridley
345-351
James Bernauer and David Rasmussen, ed., The Final Foucault.
Reviewed by
Ladelle McWhorter
352-356
Judith Butler, Gender Trouble: Feminism and the Subversion of Identity.
Reviewed by
Claudia Card
356-359
Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.
Reviewed by
Alex Neill, Aaron Ridley
345-351
Noël Carroll, Philosophical Problems of Classical Film Theory.
Reviewed by
Alex Neill, Aaron Ridley
345-351
William H. Dray, On History and Philosophers of History.
Reviewed by
Raymond Martin
359-361
Michel Foucault, Politics, Philosophy, Culture: Interviews and Other Writings, 1977-1984. Ed. Lawrence D. Kritzman.
Reviewed by
Ladelle McWhorter
352-356
Steve Fuller, Social Epistemology.
Reviewed by
Robert D'Amico
362-365
Alan H. Goldman, Moral Knowledge.
Reviewed by
Nick Fotion
365-367
Peter Kivy, Music Alone: Philosophical Reflections on the Purely Musical Experience.
Reviewed by
Stephen Davies
368-372
Robert Lapsley and Michael Westlake, Film Theory: An Introduction.
Reviewed by
Alex Neill, Aaron Ridley
345-351
Patrick T. Mackenzie, The Problems of Philosophers.
Reviewed by
William Davie
373-375
G.B. Madison, The Hermeneutics of Postmodernity: Figures and Themes.
Reviewed by
Jerry Wallulis
375-377
Constance Penley, ed., Feminism and Film Theory.
Reviewed by
Alex Neill, Aaron Ridley
345-351
Nathan Salmon and Scott Soames, eds., Propositions and Attitudes.
Reviewed by
Peter Loptson
377-380
Liora Salter; with the assistance of Edwin Levy and William Leiss, Mandated Science: Science and Scientists in the Making of Standards.
Reviewed by
Albert Flores
381-383
Anthony Savile, Aesthetic Reconstructions: The Seminal Writings of Lessing, Kant and Schiller.
Reviewed by
Stephanie Ross
383-387
Richard Sorabji, ed., Aristotle Transformed: The Ancient Commentators and their Influence.
Reviewed by
David Konstan
387-389
Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis.
Reviewed by
Alex Neill, Aaron Ridley
345-351
Graeme Turner, Film as Social Practice.
Reviewed by
Alex Neill, Aaron Ridley
345-351