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Table of Contents
Articles
| Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle |
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| Anne Dymond | 1–14 |
| Reluctant Nomads: Biennial Culture and Its Discontents |
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| Claudette Lauzon | 15–30 |
| Imaginer la Mort : Les Topographies Mémorielles de Shimon Attie |
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| Claudie Massicotte | 31–40 |
| Illness, Photography, and Exile: The Photography of Alix Cléo Roubaud |
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| Kathleen Morris | 41–51 |
| Representing Punishments for Dirt-Eating and Intoxication in Richard Bridgens’s West India Scenery, with Illustrations of Negro Character (1836) |
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| Julia Skelly | 52–65 |
| Networks of Corruption: The Aesthetics of Mark Lombardi’s Relational Diagrams |
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| Jakub Zdebik | 66–77 |
Livres / Books
| Martha Langford and John Langford, A Cold War Tourist and His Camera |
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| Debra Antoncic | 78–79 |
| Matthew Brower, Developing Animals: Wildlife and Early American Photography |
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| Jon Davies | 79–82 |
| Anne Bénichou (éd.), Ouvrir le document. Enjeux et pratiques de la documentation dans les arts visuels contemporains |
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| Dominique Sirois-Rouleau | 82–84 |
© Universities Art Association of Canada / Association d'art des universités du Canada