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Table of Contents
Articles
| A Fond Thank You and Farewell to Nicole and Barbara |
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| Brian Foss | v |
| Un grand merci à Nicole et à Barbara |
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| Brian Foss | vi |
| Editorial Introduction. Humour in the Visual Arts and Visual Culture: Practices, Theories, and Histories |
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| Dominic Hardy | 1-4 |
| Mot de la rédaction. L'Humour dans les arts et la culture visuels : pratiques, théories et histoires |
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| Dominic Hardy | 5-9 |
| Portrait of a Nabob: Graphic Satire, Portraiture, and the Anglo-Indian in the Late Eighteenth Century |
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| Christina Smylitopoulos | 10-25 |
| Le Serment des Horaces face à la satire graphique |
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| Peggy Davis | 26-40 |
| On rit au NarKomPros : Anatoli Lounatcharski et la théorie du rire soviétique |
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| Annie Gérin | 41-52 |
| Derision, Nonsense, and Carnival in the Work of Greg Curnoe |
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| Katie Cholette | 53-63 |
| A Filliou for the Game: From Political Economy to Poetical Economy and Fluxus |
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| Marc James Léger | 64-74 |
| The Gravity of Levity: Humour as Conceptual Critique |
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| Heather Diack | 75-86 |
| L’humour comme combinaison des contradictions. Une approche esthétique. |
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| Jean-Philippe Uzel | 87-97 |
Livres / Books
| Dawn Ades, ed., The Colour of My Dreams: The Surrealist Revolution in Art |
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| Carolyn Butler Palmer | 98-100 |
| Anne-Marie Ninacs, éd., Lucidité. Vues de l'intérieur / Lucidity. Inward Views |
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| Julie-Ann Latulippe | 100-103 |
© Universities Art Association of Canada / Association d'art des universités du Canada