Table of Contents
Articles
| Gérard Morisset (1898–1970) et le portrait au Québec: reflets d’un idéal canadien-français | |
| Mickaël Bouffard-Veilleux | 5–19 |
| L’insectarium de l’histoire de l’art ou le pouvoir de fascination de la peinture (Hommage à Daniel Arasse) | |
| Florence Chantoury-Lacombe | 20–27 |
| Robert J. Coady’s The Soil and Marcel Duchamp’s Fountain: Taste, Nationalism, Capitalism, and New York Dada | |
| Menno Hubregtse | 28–42 |
| Figurated Corbels on Romanesque Churches: The Interface of Diverse Social Patterns Represented on Marginal Spaces | |
| Barry Magrill | 43–54 |
| Drawing Comparisons: Cellini’s Perseus Liberating Andromeda and the Paragone Debate | |
| Gwendolyn Trottein | 55–73 |
| Building for the Raj: Richard Roskell Bayne | |
| Anthony Welch, Martin Segger, Nicholas DeCaro | 74–86 |
Livres / Books
| Sandra Alfoldy and Janice Helland, eds., Craft, Space and Interior Design, 1855–2005 | |
| Susan Butlin | 87–88 |
| Susan M. Dixon, ed., Italian Baroque Art, Blackwell Anthologies in Art History. | |
| Erin Campbell | 89–90 |
| Paula Birnbaum and Anna Novakov, eds., Essays on Women’s Artistic and Cultural Contributions 1919–1939: Expanded Social Roles for the New Woman following the First World War | |
| Janice Helland | 91–92 |
| Katharine Lochnan and Carol Jacobi, eds., Sin and Salvation: Holman Hunt and the Pre-Raphaelite Vision | |
| John Potvin | 93–95 |
| Michael Snodin and Nigel Llewellyn, eds.; assisted by Joanna Norman, Baroque: Style in the Age of Magnificence, 1620– 1800 | |
| Catherine Tite | 95–96 |
© Universities Art Association of Canada / Association d'art des universités du Canada