Table of Contents
Articles
| The Rhetoric of Authority in New Spain: The Casa de Montejo in Mérida, Yucatán | |
| Charles Cody Barteet | 5–20 |
| The Beleaguered Biennials | |
| Katie Cholette | 21–34 |
| Inspiration divine: Lady Hamilton en sybille par Élisabeth Vigée-Le Brun | |
| Ersy Contogouris | 35–46 |
| Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love | |
| Kristy Holmes | 47–64 |
| Annibale Carracci and the Modern Reform of Altar Painting | |
| Livia Stoenescu | 65–80 |
Livres / Books
| Brad Buckley and John Conomos, eds., Rethinking the Contemporary Art School: The Artist, the PhD, and the Academy | |
| Catherine Heard | 81–83 |
| Michelangelo Sabatino, foreword by Kurt W. Forster, Pride in Modesty: Modernist Architecture and the Vernacular Tradition in Italy | |
| Lucy Maulsby | 83–86 |
| Ève Lamoureux, Art et politique. Nouvelles formes d’engagement artistiques au Québec | |
| Suzanne Paquet | 86–87 |
© Universities Art Association of Canada / Association d'art des universités du Canada