Table of Contents
Articles
| Pierre Soulages’s Ultrablack Paintings: The Matter of Presence | |
| Ananda Shankar Chakrabarty | 5–16 |
| See It Now or Miss It Forever: Materiality, Visuality, and the Written Word in Janice Kerbel’s Recent Artwork | |
| Kim Sukie Dhillon | 17–28 |
| Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino’s Advice to Women in his Reggimento e costumi di donna | |
| Catherine Harding | 29–40 |
| Le portrait de la monomanie : rencontres de subjectivités | |
| Ginette Jubinville | 41–50 |
| Repeat Performance: Chardin’s Aesthetics of Repetition in the Paris Salons | |
| Ryan Whyte | 51–62 |
Livres / Books
| Esther Trépanier, dir., Femmes artistes du XXe siècle au Québec : oeuvres du Musée national des beaux-arts du Québec | |
| Julie Anne Godin Laverière | 63–65 |
| Michael Fried, Why Photography Matters as Art as Never Before | |
| Sharla Sava | 65–68 |
| John Styles, Threads of Feeling: The London Foundling Hospital’s Textile Tokens, 1740–1770 | |
| Ellen Ramsay | 68–70 |
| Anne Whitelaw, Brian Foss, and Sandra Paikowsky, eds., The Visual Arts in Canada: The Twentieth Century | |
| Clive Robertson | 71–74 |
© Universities Art Association of Canada / Association d'art des universités du Canada