| Issue | Title | |
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | 3 Rivers 2nd Nature, 2000–2005: Water, Land & Dialogue | Abstract PDF |
| Tim Collins | ||
| Vol 34, No 1 (2009) | L’Art Inconscient: Imaging the Unconscious in Symbolist Art for the Théâtre d’art | Abstract PDF |
| Serena Keshavjee | ||
| Vol 34, No 2 (2009) | L’insectarium de l’histoire de l’art ou le pouvoir de fascination de la peinture (Hommage à Daniel Arasse) | Abstract PDF |
| Florence Chantoury-Lacombe | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | A Filliou for the Game: From Political Economy to Poetical Economy and Fluxus | Abstract |
| Marc James Léger | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | A Fond Thank You and Farewell to Nicole and Barbara | Abstract |
| Brian Foss | ||
| Vol 33, No 1–2 (2008) | A Virus from Outer Space / Un virus dans l'espace | Abstract PDF |
| Eveline Kolijn | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Andrew Horrall, Bringing Art to Life: A Biography of Alan Jarvis | Abstract PDF |
| Sarah Stanners | ||
| Vol 36, No 2 (2011) | Anne Bénichou (éd.), Ouvrir le document. Enjeux et pratiques de la documentation dans les arts visuels contemporains | Abstract PDF |
| Dominique Sirois-Rouleau | ||
| Vol 36, No 1 (2011) | Anne Whitelaw, Brian Foss, and Sandra Paikowsky, eds., The Visual Arts in Canada: The Twentieth Century | Abstract PDF |
| Clive Robertson | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Anne-Marie Ninacs, éd., Lucidité. Vues de l'intérieur / Lucidity. Inward Views | Abstract |
| Julie-Ann Latulippe | ||
| Vol 35, No 2 (2010) | Annibale Carracci and the Modern Reform of Altar Painting | Abstract PDF |
| Livia Stoenescu | ||
| Vol 34, No 1 (2009) | Anthony Vidler, Histories of the Immediate Present: Inventing Architectural Modernism | Abstract PDF |
| Keith Bresnahan | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Art et nouvelles technologies: Pour un recadrage de la subjectivité humaine par rapport à l’idée de paysage | Abstract PDF |
| Édith-Anne Pageot | ||
| Vol 33, No 1–2 (2008) | Autopsie d'une identité à la dérive / Autopsy of a drifting identity | Abstract PDF |
| Nathalie Grimard | ||
| Vol 35, No 2 (2010) | Ève Lamoureux, Art et politique. Nouvelles formes d’engagement artistiques au Québec | Abstract PDF |
| Suzanne Paquet | ||
| Vol 33, No 1–2 (2008) | Bodies of Knowledge: The Nineteenth-Century Anatomical Atlas in the Spaces of Art and Science | Abstract PDF |
| Cindy Stelmackowich | ||
| Vol 35, No 2 (2010) | Brad Buckley and John Conomos, eds., Rethinking the Contemporary Art School: The Artist, the PhD, and the Academy | Abstract PDF |
| Catherine Heard | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Bruce Barber, ed., Condé and Beveridge: Class Works | Abstract PDF |
| Sarah E.K. Smith | ||
| Vol 34, No 2 (2009) | Building for the Raj: Richard Roskell Bayne | Abstract PDF |
| Anthony Welch, Martin Segger, Nicholas DeCaro | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Dawn Ades, ed., The Colour of My Dreams: The Surrealist Revolution in Art | Abstract |
| Carolyn Butler Palmer | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Derision, Nonsense, and Carnival in the Work of Greg Curnoe | Abstract |
| Katie Cholette | ||
| Vol 33, No 1–2 (2008) | Dora Apel and Shawn Michelle Smith, Lynching Photographs | Details PDF |
| Sharon Sliwinski | ||
| Vol 34, No 2 (2009) | Drawing Comparisons: Cellini’s Perseus Liberating Andromeda and the Paragone Debate | Abstract PDF |
| Gwendolyn Trottein | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Ecology and the Ethics and Aesthetics of Collaboration: The Case of Nine Mile Run | Abstract PDF |
| Lora Senechal Carney | ||
| Vol 33, No 1–2 (2008) | Editorial Introduction | Abstract PDF |
| Allister Neher, Mireille Perron | ||
| Vol 34, No 1 (2009) | Editorial Introduction | Abstract PDF |
| Serena Keshavjee | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Editorial Introduction | Abstract PDF |
| Lora Senechal Carney, Édith-Anne Pageot | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Editorial Introduction. Humour in the Visual Arts and Visual Culture: Practices, Theories, and Histories | Abstract |
| Dominic Hardy | ||
| Vol 33, No 1–2 (2008) | "Effroyable réalisme": Wax, Femininity, and the Madness of Realist Fantasies | Abstract PDF |
| Mary Hunter | ||
| Vol 33, No 1–2 (2008) | Elizabeth Cumming, Hand, Heart and Soul: The Arts and Crafts Movement in Scotland | Details PDF |
| Janice Helland | ||
| Vol 36, No 2 (2011) | Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle | Abstract PDF |
| Anne Dymond | ||
| Vol 36, No 1 (2011) | Esther Trépanier, dir., Femmes artistes du XXe siècle au Québec : oeuvres du Musée national des beaux-arts du Québec | Abstract PDF |
| Julie Anne Godin Laverière | ||
| Vol 33, No 1–2 (2008) | Exposed Wounds: The Photographic Autopathographies of Hannah Wilke and Jo Spence | Abstract PDF |
| Tamar Tembeck | ||
| Vol 34, No 2 (2009) | Figurated Corbels on Romanesque Churches: The Interface of Diverse Social Patterns Represented on Marginal Spaces | Abstract PDF |
| Barry Magrill | ||
| Vol 33, No 1–2 (2008) | Figuration et esthétique de l’identité génétique : Autour de l’Autoportrait génétique de Gary Schneider | Abstract PDF |
| Hélène Samson | ||
| Vol 34, No 2 (2009) | Gérard Morisset (1898–1970) et le portrait au Québec: reflets d’un idéal canadien-français | Abstract PDF |
| Mickaël Bouffard-Veilleux | ||
| Vol 33, No 1–2 (2008) | Griselda Pollock and Joyce Zemans, eds., Museums After Modernism: Strategies of Engagement | Details PDF |
| Carol Magee | ||
| Vol 33, No 1–2 (2008) | Histoires d’enveloppe. Considérations médicales et artistiques sur la peau | Abstract PDF |
| Florence Vinit | ||
| Vol 36, No 2 (2011) | Illness, Photography, and Exile: The Photography of Alix Cléo Roubaud | Abstract PDF |
| Kathleen Morris | ||
| Vol 36, No 2 (2011) | Imaginer la Mort : Les Topographies Mémorielles de Shimon Attie | Abstract PDF |
| Claudie Massicotte | ||
| Vol 35, No 2 (2010) | Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love | Abstract PDF |
| Kristy Holmes | ||
| Vol 35, No 2 (2010) | Inspiration divine: Lady Hamilton en sybille par Élisabeth Vigée-Le Brun | Abstract PDF |
| Ersy Contogouris | ||
| Vol 34, No 1 (2009) | Into the Primeval Slime: Body and Self in Redon's Evolutionary Universe | Abstract PDF |
| Martha Lucy | ||
| Vol 33, No 1–2 (2008) | Joan Coutu, Persuasion and Propaganda: Monuments and the Eighteenth-Century British Empire | Details PDF |
| Romita Ray | ||
| Vol 33, No 1–2 (2008) | John O'Brian and Peter White, eds., Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art | Details PDF |
| Mark Cheetham | ||
| Vol 36, No 1 (2011) | John Styles, Threads of Feeling: The London Foundling Hospital’s Textile Tokens, 1740–1770 | Abstract PDF |
| Ellen Ramsay | ||
| Vol 34, No 1 (2009) | Joséphin Péladan: Occultism, Catholicism, and Science in the Fin de Siècle | Abstract PDF |
| Maria E. Di Pasquale | ||
| Vol 34, No 2 (2009) | Katharine Lochnan and Carol Jacobi, eds., Sin and Salvation: Holman Hunt and the Pre-Raphaelite Vision | Abstract PDF |
| John Potvin | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | L’humour comme combinaison des contradictions. Une approche esthétique. | Abstract |
| Jean-Philippe Uzel | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Le paysage serait-il une forme surannée? Mise en représentation de la ville, art urbain et pratiques transitoires | Abstract PDF |
| Suzanne Paquet | ||
| Vol 36, No 1 (2011) | Le portrait de la monomanie : rencontres de subjectivités | Abstract PDF |
| Ginette Jubinville | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Le Serment des Horaces face à la satire graphique | Abstract |
| Peggy Davis | ||
| Vol 34, No 1 (2009) | Mapping the Body and the Brain: Neurology and Localization Theory in the Work of Rodin | Abstract PDF |
| Barbara Larson | ||
| Vol 34, No 1 (2009) | Margaret Iversen, Beyond Pleasure: Freud, Lacan, Barthes | Abstract PDF |
| Kathryn Simpson, | ||
| Vol 36, No 2 (2011) | Martha Langford and John Langford, A Cold War Tourist and His Camera | Abstract PDF |
| Debra Antoncic | ||
| Vol 33, No 1–2 (2008) | Mary O'Connor and Katherine Tweedie, Seduced by Modernity: The Photography of Margaret Watkins | Details PDF |
| Debra Antoncic | ||
| Vol 36, No 2 (2011) | Matthew Brower, Developing Animals: Wildlife and Early American Photography | Abstract PDF |
| Jon Davies | ||
| Vol 36, No 1 (2011) | Michael Fried, Why Photography Matters as Art as Never Before | Abstract PDF |
| Sharla Sava | ||
| Vol 34, No 2 (2009) | Michael Snodin and Nigel Llewellyn, eds.; assisted by Joanna Norman, Baroque: Style in the Age of Magnificence, 1620– 1800 | Abstract PDF |
| Catherine Tite | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Michèle Grandbois, Anna Hudson et Esther Trépanier, Le nu dans l’art moderne canadien, 1920–1950 | Abstract PDF |
| Julie Anne Godin Laverière | ||
| Vol 35, No 2 (2010) | Michelangelo Sabatino, foreword by Kurt W. Forster, Pride in Modesty: Modernist Architecture and the Vernacular Tradition in Italy | Abstract PDF |
| Lucy Maulsby | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Mot de la rédaction. L'Humour dans les arts et la culture visuels : pratiques, théories et histoires | Abstract |
| Dominic Hardy | ||
| Vol 34, No 1 (2009) | Mot de la rédactrice | Abstract PDF |
| Serena Keshavjee | ||
| Vol 33, No 1–2 (2008) | Mot des rédacteurs | Abstract PDF |
| Allister Neher, Mireille Perron | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Mot des rédacteurs | Abstract PDF |
| Lora Senechal Carney, Édith-Anne Pageot | ||
| Vol 36, No 2 (2011) | Networks of Corruption: The Aesthetics of Mark Lombardi’s Relational Diagrams | Abstract PDF |
| Jakub Zdebik | ||
| Vol 34, No 1 (2009) | Occult Chemistry and the Theosophical Aesthetics of the Subatomic World | Abstract PDF |
| Mark Morrisson | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | On rit au NarKomPros : Anatoli Lounatcharski et la théorie du rire soviétique | Abstract |
| Annie Gérin | ||
| Vol 34, No 2 (2009) | Paula Birnbaum and Anna Novakov, eds., Essays on Women’s Artistic and Cultural Contributions 1919–1939: Expanded Social Roles for the New Woman following the First World War | Abstract PDF |
| Janice Helland | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Paulette Gagnon, Mark Lanctôt, Marc Mayer, avec la collaboration de Daniel Lanthier et Denise Leclerc, Claude Tousignant | Abstract PDF |
| Marie-Eve Beaupré | ||
| Vol 34, No 1 (2009) | Peter Richardson and Douglas Richardson, Canadian Churches: An Architectural History | Abstract PDF |
| Malcolm Thurlby | ||
| Vol 36, No 1 (2011) | Pierre Soulages’s Ultrablack Paintings: The Matter of Presence | Abstract |
| Ananda Shankar Chakrabarty | ||
| Vol 36, No 1 (2011) | Pierre Soulages’s Ultrablack Paintings: The Matter of Presence | Abstract |
| Ananda Chakrabarty | ||
| Vol 36, No 1 (2011) | Pierre Soulages’s Ultrablack Paintings: The Matter of Presence | Abstract PDF |
| Ananda Shankar Chakrabarty | ||
| Vol 33, No 1–2 (2008) | Plaie-image : taies | Abstract PDF |
| Nicole Jolicoeur | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Portrait of a Nabob: Graphic Satire, Portraiture, and the Anglo-Indian in the Late Eighteenth Century | Abstract |
| Christina Smylitopoulos | ||
| Vol 37, No 1 (2012): Humour in the visual arts and visual culture / L’humour dans les arts et la culture visuels | Portrait of a Nabob: Graphic Satire, Portraiture, and the Anglo-Indian in the Late Eighteenth Century | Abstract |
| Christina Smylitopoulos | ||
| Vol 33, No 1–2 (2008) | Reconsidering the Dead in Andres Serrano's The Morgue: Identity, Agency, Subjectivity | Abstract PDF |
| Andrea D. Fitzpatrick | ||
| Vol 36, No 2 (2011) | Reluctant Nomads: Biennial Culture and Its Discontents | Abstract PDF |
| Claudette Lauzon | ||
| Vol 36, No 1 (2011) | Repeat Performance: Chardin’s Aesthetics of Repetition in the Paris Salons | Abstract PDF |
| Ryan Whyte | ||
| Vol 36, No 1 (2011) | Repeat Performance: Chardin’s Aesthetics of Repetition in the Paris Salons | Abstract PDF |
| Ryan Whyte | ||
| Vol 36, No 2 (2011) | Representing Punishments for Dirt-Eating and Intoxication in Richard Bridgens’s West India Scenery, with Illustrations of Negro Character (1836) | Abstract PDF |
| Julia Skelly | ||
| Vol 35, No 1 (2010): Landscape, Cultural Spaces, Ecology / Paysages, espaces culturels, écologie | Robert Aird et Mira Falardeau, Histoire de la caricature au Québec | Abstract PDF |
| France St-Jean | ||
| Vol 34, No 2 (2009) | Robert J. Coady’s The Soil and Marcel Duchamp’s Fountain: Taste, Nationalism, Capitalism, and New York Dada | Abstract PDF |
| Menno Hubregtse | ||
| Vol 33, No 1–2 (2008) | Ruth Iskin, Modern Women and Parisian Consumer Culture in Impressionist Painting | Details PDF |
| Kathryn Brown | ||
| Vol 34, No 2 (2009) | Sandra Alfoldy and Janice Helland, eds., Craft, Space and Interior Design, 1855–2005 | Abstract PDF |
| Susan Butlin | ||
| Vol 33, No 1–2 (2008) | Sandra Alfoldy, ed., NeoCraft: Modernity and the Crafts | Details PDF |
| Dorie Millerson | ||
| Vol 33, No 1–2 (2008) | Savoir-vivre et autres galanteries / Social Graces and other Fables | Abstract PDF |
| Mireille Perron | ||
| Vol 33, No 1–2 (2008) | Science Made Clear / La science faite chair | Abstract PDF |
| Jeffrey Burns | ||
| Vol 36, No 1 (2011) | See It Now or Miss It Forever: Materiality, Visuality, and the Written Word in Janice Kerbel’s Recent Artwork | Abstract PDF |
| Kim Sukie Dhillon | ||
| Vol 36, No 1 (2011) | See It Now or Miss It Forever: Materiality, Visuality, and the Written Word in Janice Kerbel’s Recent Artwork | Abstract PDF |
| Kim Sukie Dhillon | ||
| Vol 33, No 1–2 (2008) | Sir Charles Bell and the Anatomy of Expression | Abstract PDF |
| Allister Neher | ||
| Vol 36, No 1 (2011) | Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino’s Advice to Women in his Reggimento e costumi di donna | Abstract PDF |
| Catherine Harding | ||
| Vol 36, No 1 (2011) | Speaking in Pictures: Reading, Memory and Interpretation in Francesco da Barberino’s Advice to Women in his Reggimento e costumi di donna | Abstract PDF |
| Catherine Harding | ||
| Vol 33, No 1–2 (2008) | Spiro Viro | Abstract PDF |
| Ingrid Mary Percy | ||
| Vol 34, No 2 (2009) | Susan M. Dixon, ed., Italian Baroque Art, Blackwell Anthologies in Art History. | Abstract PDF |
| Erin Campbell | ||
| Vol 33, No 1–2 (2008) | Suspending the Laws of Medical Practice / Suspendre les lois de la pratique médicale | Abstract PDF |
| Cindy Stelmackowich | ||
| Vol 34, No 1 (2009) | Symbolism, Mediumship, and the “Study of the Soul that has Constituted Itself as a Positivist Science” | Abstract PDF |
| Allison Morehead | ||
| Vol 35, No 2 (2010) | The Beleaguered Biennials | Abstract PDF |
| Katie Cholette | ||
| Vol 34, No 1 (2009) | The Brush Stroke as Catastrophe: Gasquet's Cézanne and the Paintings of Bibémus Quarry | Abstract PDF |
| Anne Byrd | ||
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