| Issue | Title | |
| Vol 1, No 1 (2012) | Ellen and Greta on the Deathbed: Representations of Death and Agency in F.W. Murnau’s Nosferatu: Eine Symphonie des Grauens (1922) and E. Elias Merhige’s Shadow of the Vampire (2000) | Abstract PDF |
| Irene Peinhopf | ||
| Vol 2, No 1 (2013) | (Hu)Man-Made Poetry: Thoughts on Aura and (Female) Authenticity of the Blog Gedankenbühne | Abstract PDF |
| Melanie Kage | ||
| Vol 1, No 1 (2012) | Introduction | Details PDF |
| Journal Editor | ||
| Vol 2, No 1 (2013) | Introduction | Abstract PDF |
| Managing Editor | ||
| Vol 1, No 1 (2012) | Language Revitalization in Ukraine: Geo-Culturally Determined Success | Abstract PDF |
| Andrew McKishnie | ||
| Vol 1, No 1 (2012) | Memory and Being: The Uncanny in the Films of Andrei Tarkovsky | Abstract PDF |
| Daniel McFadden | ||
| Vol 1, No 1 (2012) | Overlooked Citizens: Roma (Gypsy) Minorities Living in Post-Socialist Ukraine | Abstract PDF |
| Maria Konstantinov | ||
| Vol 1, No 1 (2012) | Such a Tiny Little Thing: Diminutive Meanings in 'Alice In Wonderland' as a Comparative Translation Study of English, Polish, Russian and Czech | Abstract PDF |
| Dorota Lockyer | ||
| Vol 2, No 1 (2013) | The Emerging Russian Identity as Expressed through Russian Art House Cinema. | Abstract PDF |
| Kimberley Alexandra Dillon | ||
| Vol 2, No 1 (2013) | The Ethnic Russian Minority: A Problematic Issue in the Baltic States | Abstract PDF |
| Marina Best | ||
| Vol 2, No 1 (2013) | Theological Redemption, Memory, and Mimesis in Art Spiegelman’s Maus | Abstract PDF |
| Kevin Elliott | ||
| 1 - 11 of 11 Items | ||
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University of Victoria