Introduction: Erasure Subtends the Order

Authors

  • Luis Jacob University of Toronto

Abstract

Guest editor Luis Jacob discusses the theme of this special issue, which focuses on Indigenous curator Wanda Nanibush’s dismissal from the Art Gallery of Ontario (Toronto, Canada) in November 2023 for protesting Israeli actions in Palestine.  The implications of risk-taking and related patterns of institutional erasure, deeply rooted in colonialism, are showcased through two exhibitions, The Order of Canada (I’ll be your Mirror) and The Order of Canada (I’ll be your Toilet).

Author Biography

Luis Jacob, University of Toronto

Luis Jacob was born in Lima, Peru, in 1971.  He is a Toronto-based artist whose work destabilizes viewing conventions and invites collisions of meaning.  Since participating in documenta12 in 2007, he has achieved an international reputation — with exhibitions at Museum der Moderne Salzburg (2025): Art Gallery of Ontario, Toronto, and Agnes Etherington Art Centre, Kingston (both 2022); the Toronto Biennial of Art (2019); La Biennale de Montréal (2016); Tanya Bonakdar Gallery, New York (2015); Taipei Biennial (2012); Generali Foundation, Vienna (2011); Solomon R. Guggenheim Museum, New York (2010); Hamburg Kunstverein and the Power Plant Contemporary Art Gallery (both 2008).  

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Published

2026-05-31

Issue

Vol. 2026 No. 1 (2026): The Order of Canada

Section

Articles

License

Copyright (c) 2026 Luis Jacob

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