“Why Was It We Went Out of the Church?”: Night, Day, and Religious Space in The Story of an African Farm

  • Lee van der Kamp University of Victoria

Abstract

Discusses Olive Schreiner's The Story of an African Farm in the light of how it fractures Victorian religious discourse. In particular, the essay focuses on how the novel relies on night and day to create religious space, reversing Victorian prioritization of the church and responding to the rise of Evangelical discourse with a pagan regard for the natural world.

Author Biography

Lee van der Kamp, University of Victoria
3rd year honours student in English at UVic.

References

Baigent, Elizabeth. “‘God’s earth will be sacred’: Religion, Theology and the Open Space Movement in Victorian England.” Rural History 22.1 (2011): 31–58. Web.

Best, Geoffrey. “Evangelicalism and the Victorians.” The Victorian Crisis of Faith. Ed. Anthony Smith. London: S.P.C.K. 1970. 37-56. Print.

Chadwick, Owen. “The Established Church Under Attack.” The Victorian Crisis of Faith. Ed. Anthony Smith. London: S.P.C.K. 1970. 91-106. Print.

Freeman, Hannah. “Dissolution and Landscape in Olive Schreiner’s The Story of an African Farm.” English Studies in Africa 52.2, (2009): 18-34. Web.

Kissack, Mike and Michael Titlestad. “Olive Schreiner and the Secularization of the Moral Imagination.” English in Africa 33.1 (2006): 23-46. Web.

Knechtel, Ruth. “Olive Schreiner’s Pagan Animism: An Underlying Unity.” English Literature in Transition 53.3 (2010): 259-82. Web.

McLeod, Hugh.. Class and Religion in the Late Victorian City. London: Croom Helm, 1974. Print.

Obelkevich, James. Religion and Rural Society: South Lindsey 1825-1875. Oxford: Clarendon Press, 1976. Print

Schreiner, Olive. The Story of an African Farm. Oxford: Oxford UP. 2008. Print.

Voss, Tony. “’How Are These Things Related That Such Deep Union Should Exist between Them All?’: The Textual Integrity of The Story of an African Farm.” Journal of Literary Studies 27.1 (2011): 43-64. Web.

Published
2013-09-20
Section
Articles