“Dogism”: Fascism and the Philosophy of Violence in André Alexis’s Fifteen Dogs
Abstract
With Fifteen Dogs (2015), André Alexis presents the riddle of what it means to be human without prescribing his own solution. The task of deciding which of the hybrid dogs’ behaviours arise from which of their constituent elements—human or dog—is left up to the reader. This essay presents a theoretical exploration of the human-like violence found within Fifteen Dogs. I argue that the violence exhibited by the hybrid dogs is of a distinctly human quality and is fuelled by a fascistic ideology, which I call dogism. Attention is given to two particular manifestations of such violence: the sacrificial culling of the pack and the Garden of Death.

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Any submissions made by the author to the Albatross are in agreement of release under the Creative Commons Attribution-Noncommercial 3.0 Unported license. This license permits The Albatross as well as others to share this work through any means for non-commercial purposes given that proper attribution is given to the author as well as the publisher.
Authors retain copyright of their work.
By submitting their article to The Albatross, the author grants the The Albatross the rights for first publishing.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.