The Albatross <p><strong>Submit all essays to&nbsp;<a href=""></a>&nbsp;after consulting the&nbsp;<a href="/index.php/albatross/about/submissions#authorGuidelines">Submissions Guidelines</a>.</strong></p> <p><em>The </em><em>Albatross</em> is an undergraduate, peer-reviewed, academic journal that publishes the exceptional undergraduate scholarship of students at the University of Victoria in the fields of literary analysis, critical theory, and cultural studies. The first issue was launched in March 2011 and all previous volumes are <a href="/index.php/albatross/issue/archive">archived</a>.</p> University of Victoria en-US The Albatross 1927-4599 <p>Any submissions made by the author to the Albatross are in agreement of release under the <a href="" target="_blank" rel="noopener">Creative Commons Attribution-Noncommercial 3.0 Unported</a> license. This&nbsp;license permits <em>The Albatross</em> as well as others to share this work through any means for non-commercial&nbsp;purposes given that proper attribution is given to the author as well as the publisher.</p> <p>Authors retain copyright of their work.</p> <p>By submitting their article to <em>The Albatross</em>, the author grants the <em>The Albatross</em> the&nbsp;rights for first publishing.</p> <p>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.</p> Full Issue Volume 11 Copyright (c) 2021 The Albatross 2021-04-28 2021-04-28 11 Frontmatter Title page, Masthead, Table of Contents Copyright (c) 2021-04-28 2021-04-28 11 Editors’ Note Anne Hung Teresa Sammut Copyright (c) 2021 Anne Hung and Teresa Sammut 2021-04-28 2021-04-28 11 9 9 Introduction Anne Hung Copyright (c) 2021 Anne Hung 2021-04-28 2021-04-28 11 10–12 10–12 The Sacred and the Mundane: Biblical Bread and Priestly Wifehood in “The Wife of Bath’s Prologue” Jocelyn Diemer Copyright (c) 2021 Jocelyn Diemer 2021-04-28 2021-04-28 11 16–22 16–22 “Never to Submit or Yield”: Satan’s Shield and Armour in Paradise Lost Josiah Lamb Copyright (c) 2021 Josiah Lamb 2021-04-28 2021-04-28 11 23–29 23–29 “A Creature of My Own Imagination”: Artistic, Maternal, and Sexual Desire in Anne Brontë’s The Tenant of Wildfell Hall Allegra Stevenson-Kaplan Copyright (c) 2021 Allegra Stevenson-Kaplan 2021-04-28 2021-04-28 11 Rewriting the Woman Question: Female Writers and Victorian Ideologies of Emotion Autumn Doucette Copyright (c) 2021 Autumn Doucette 2021-04-28 2021-04-28 11 39–48 39–48 “They All Leaned Over While She Talked”: Storytelling and Community in Zora Neale Hurston’s Their Eyes Were Watching God Emily Frampton Copyright (c) 2021 Emily Frampton 2021-04-28 2021-04-28 11 49–55 49–55 “Madeleine! That Madwoman!”: Gothic Tropes in Munro’s Lives of Girls and Women Scott Matthews Copyright (c) 2021 Scott Matthews 2021-04-28 2021-04-28 11 56–62 56–62 Atonement and Its Discontents: A Genealogy of Retribution in Alissa York’s Fauna Brayden Tate Copyright (c) 2021 Brayden Tate 2021-04-28 2021-04-28 11 63–70 63–70 Editors & Contributors The Albatross 2021 Copyright (c) 2021 Anne Hung 2021-04-28 2021-04-28 11 71–77 71–77