The Albatross

• Frontmatter

  3–7

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• Editors' Note

  Ava Ugolini, Evan Duffy

  8–9

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• Introduction

  Ava Ugolini

  10–13

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Articles

• D.H. Lawrence's "Monkey Nuts": Romantic Comedy or Psychological Horror?

  Alexandria Brooks

  15–24

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• Transformational Qualities of Agricultural Labour in Milton’s Paradise Lost

  Maraya Cooper

  25–32

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• The Memory of Futures Past in the Postcolonial Imagination: A Hauntological Reading of Mati Diop’s Atlantics

  Kristian Hovdebo

  33–40

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• Can The Subaltern Speak?: Silence and Sound in Claire Denis’s Chocolat and White Material

  Jessica Jay

  41–50

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• The Cygnet and the Shepherd: Children’s Agency in Shakespeare’s King John

  Soren Kim

  51–58

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• Patrons, Prayers, and Persecution: How This Present Darkness Appropriates Ancient Apocalyptic Traditions to Comfort White Evangelical Americans

  Jude Lovell

  59–69

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• “He didn’t come to the West Indies to dance – he came to make money as they all do”: Ecofeminism and Conquest in Jean Rhys’s Wide Sargasso Sea

  Cella Pop

  70–78

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• The Unknowable Woman: Depictions of Women in Alfred Tennyson’s Moxon Tennyson and the Arctic Monkeys’ AM

  Erin Slater

  79–86

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• Christina Rossetti in Print: Dedications in Victorian Gift-Giving Culture

  Becky Turner

  87–95

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• The Religious Conquest of the Feminine Body: A Case Study of Heloise and Princess Melaz

  Amy Vitkauskas

  96–106

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• Editors + Contributors

  107–115

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