Vol. 6 (2016)

• FULL ISSUE

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Foreword

• Editor's Introduction

  4-5

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Articles

• ART AND RESISTANCE IN THOMAS KING’S "TRUTH & BRIGHT WATER"

  Taylor Bachand

  6-11

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• ELUSIVE LAUGHTER: THE IMPACT OF HUMOUR ON GENDER RELATIONS IN DIXON’S "THE STORY OF A MODERN WOMAN"

  Alissa Cartwright

  14-22

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• EATING THE OTHER, PREYING ON THE ORIENT, LOVING THE EXOTIC: NEOCOLONIAL TRAVEL IN ELIZABETH GILBERT’S "EAT, PRAY, LOVE"

  Gurkiran Dhillon

  24-29

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• GAY MALE PULP FICTION OF THE 1960S: FROM THE DRUGSTORES TO THE STONEWALL RIOT

  Eric Henwood-Greer

  30-36

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• “HORRORSHOW FOUR-IN-A-BAR”: MUSIC IN ANTHONY BURGESS’S "A CLOCKWORK ORANGE"

  Kristina Holm

  38-43

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• “MELANCTHA” AS A PORTRAIT

  Sékel Pollok

  44-50

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• THE FANGED EMASCULATOR: TRADITIONAL GENDER AND SEXUALITY UNDER ATTACK IN BRAM STOKER’S "DRACULA"

  B.R. Reid

  52-58

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Poetry

• CROW WATCHER

  Taylor Bachand

  12-13

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• A THIRD FRAGMENT

  Matthew K. Thibeault

  60-61

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