Vol. 16 No. 1 (2026): The Albatross

• Frontmatter

  3–7

  • PDF

• Editors' Note

  Ava Ugolini, Evan Duffy

  8–9

  • PDF

• Introduction

  Ava Ugolini

  10–13

  • PDF

Articles

• D.H. Lawrence's "Monkey Nuts": Romantic Comedy or Psychological Horror?

  Alexandria Brooks

  15–24

  • PDF

• Transformational Qualities of Agricultural Labour in Milton’s Paradise Lost

  Maraya Cooper

  25–32

  • PDF

• The Memory of Futures Past in the Postcolonial Imagination: A Hauntological Reading of Mati Diop’s Atlantics

  Kristian Hovdebo

  33–40

  • PDF

• Can The Subaltern Speak?: Silence and Sound in Claire Denis’s Chocolat and White Material

  Jessica Jay

  41–50

  • PDF

• The Cygnet and the Shepherd: Children’s Agency in Shakespeare’s King John

  Soren Kim

  51–58

  • PDF

• Patrons, Prayers, and Persecution: How This Present Darkness Appropriates Ancient Apocalyptic Traditions to Comfort White Evangelical Americans

  Jude Lovell

  59–69

  • PDF

• “He didn’t come to the West Indies to dance – he came to make money as they all do”: Ecofeminism and Conquest in Jean Rhys’s Wide Sargasso Sea

  Cella Pop

  70–78

  • PDF

• The Unknowable Woman: Depictions of Women in Alfred Tennyson’s Moxon Tennyson and the Arctic Monkeys’ AM

  Erin Slater

  79–86

  • PDF

• Christina Rossetti in Print: Dedications in Victorian Gift-Giving Culture

  Becky Turner

  87–95

  • PDF

• The Religious Conquest of the Feminine Body: A Case Study of Heloise and Princess Melaz

  Amy Vitkauskas

  96–106

  • PDF

• Editors + Contributors

  107–115

  • PDF