Vol. 2 (2012)

Articles

• Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight

  Cameron Butt

  12

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• Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse

  Jayme E Collins

  6

  • PDF

• “Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement

  Megan Halford

  8

  • PDF

• “Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt

  Megan Halford

  10

  • PDF

• The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips"

  Raya Dawn Joan MacKenzie

  8

  • PDF

• "A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess

  Deborah Ogilvie

  8

  • PDF

• Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World

  Chelsea Wiksyk

  14

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• “But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition

  Jack Derricourt

  27

  • PDF