Vol 2, No 1 (2012)

Table of Contents

Articles

Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight
Cameron Butt
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12
Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse
Jayme E Collins
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6
“Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement
Megan Halford
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8
“Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt
Megan Halford
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10
The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips"
Raya Dawn Joan MacKenzie
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8
"A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess
Deborah Ogilvie
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8
Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World
Chelsea Wiksyk
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14
“But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition
Jack Derricourt
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27