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Vol. 2 (2012)
Vol. 2 (2012)
Published:
2012-03-20
Articles
Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight
Cameron Butt
12
PDF
Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse
Jayme E Collins
6
PDF
“Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement
Megan Halford
8
PDF
“Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt
Megan Halford
10
PDF
The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips"
Raya Dawn Joan MacKenzie
8
PDF
"A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess
Deborah Ogilvie
8
PDF
Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World
Chelsea Wiksyk
14
PDF
“But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition
Jack Derricourt
27
PDF
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