Page Header

INDEXED BY

DOAJ

EDITORIAL TEAM

Michael Carelse, Managing Editor

Emma Stens, Deputy Editor


Editors

Erin Donoghue Brooke
Ruby Hopkins
Patrick McCann
Rhett Palas
Sonja Pinto
Makayla Scharf
Julie Schoch
Robbie Steele


Copy Editors

Michael Carelse
Isabelle Carré-Hudson
Chris Horne
Sonja Pinto
Julie Schoch
Emma Stens


Layout Design

Emma Fanning

 

User
Information
  • For Readers
  • For Authors
  • For Librarians
Current Issue Atom logo
RSS2 logo
RSS1 logo
Open Journal Systems
  • Home
  • About
  • Login
  • Register
  • Categories
  • Search
  • Current
  • Archives
Home > Archives > Vol 2, No 1 (2012)

Vol 2, No 1 (2012)

Table of Contents

Articles

Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight
Cameron Butt
PDF
12
Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse
Jayme E Collins
PDF
6
“Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement
Megan Halford
PDF
8
“Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt
Megan Halford
PDF
10
The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips"
Raya Dawn Joan MacKenzie
PDF
8
"A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess
Deborah Ogilvie
PDF
8
Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World
Chelsea Wiksyk
PDF
14
“But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition
Jack Derricourt
PDF
27


EISSN  1927-4599
University of Victoria