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  3. Vol. 2 (2012)

Vol. 2 (2012)

Published: 2012-03-20

Articles

  • Shakespeare, Cinema, and Linguistic Discourse in My Own Private Idaho and Chimes at Midnight
    Cameron Butt
    12
    • PDF
  • Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse
    Jayme E Collins
    6
    • PDF
  • “Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement
    Megan Halford
    8
    • PDF
  • “Progressive Education and a Welcoming Church”: Vatican II, Feminism, and Sister Aloysius’ Uncertainty in John Patrick Shanley’s Doubt
    Megan Halford
    10
    • PDF
  • The Confessing Tongue: Religious Allusions in Sylvia Plath's "Tulips"
    Raya Dawn Joan MacKenzie
    8
    • PDF
  • "A Kind of Magic:" Reading and Imagination in Dinah Mulock Craik’s The Little Lame Prince and Frances Hodgson Burnett’s A Little Princess
    Deborah Ogilvie
    8
    • PDF
  • Navigating and Negating the Ownership Fallacy in Edward P. Jones’ The Known World
    Chelsea Wiksyk
    14
    • PDF
  • “But Cantos Oughta Sing:” Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition
    Jack Derricourt
    27
    • PDF

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ISSN 1927-4599

University of Victoria
Contact: albatross@uvic.ca

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