This page contains guidelines and instructions for preparing academic and artistic submissions to BIG_Review (for books, see BIG_Books)
- Journal Focus
- Academic and Artistic Guidelines
- Peer Review Process
- Open Access and Distribution
- Fee for Publishing Academic Article or Essay
- Academic Submission Requirements
- Artistic Submission Requirements
- Copyright Notice
- Privacy Statement
BIG_Review provides a forum for academic and creative explorations of borders in the 21st century. We publish high-quality and original works in the Arts, Humanities, and Social Sciences, that explore various aspects of borders in an increasingly globalized world. Borders offer metaphoric-conceptual tools for the study of differentiation and integration, mandating a wide range of artistic, theoretical, and empirical explorations of borders. The journal is committed to academic peer review, public access, policy relevance, and cultural significance.
See more on the journal's Focus and Scope.
Academic and Artistic Guidelines
BIG_Review publishes scholarship (academic articles, review essays, research notes, book reviews, and film reviews) as well as artwork (photography, painting, poetry, short stories, and more).
Scholarly submissions should engage with the research literature on borders, including, for example, borderlands, borderscapes, and bordering processes. We are interested in studies that go beyond the ‘land image’ by exploring borders as non-contiguous, aterritorial, globalized, mobile, electronic, biometric, functional, etc. We are equally interested in border studies from Indigenous perspectives, along with questions of sustainability, climate change, colonialism, and subnational and transnational identities. Research questions might include: What are contemporary challenges to borders, internally and externally? How are borders adapting? What challenges do borders pose for communities and for people in transit or seeking asylum? How are cultures shaped by borders, and vice-versa? How are technologies shaping borders? We encourage innovative theoretical work and explorations of borders widely construed, as well as empirical and quantitative research. We welcome scholarly submissions from all disciplines and backgrounds.
BIG_Review also promotes artistic submissions pertaining to borders (borders understood broadly: political, social, cultural, metaphoric, personal). Borders can capture the popular imagination and inspire creative works. Artwork can reflect and influence the cultures that shape borders. We promote small portfolios and individual works, including original poems, photos, paintings, short stories, creative essays, film and literature reviews, artistic commentaries, and other forms of art. Artists retain copyright of their work and benefit from increased exposure at no cost to them.
For technical submission requirements, see below.
Peer Review Process
Each academic article and essay considered for publication in BIG_Review undergoes at least two double-blind peer reviews from our expert and international Editorial Board (board members are listed in a panel on this page and on the first page of the the journal). In the event of a split recommendation, a third (and sometimes a fourth) review may be obtained. Publication decisions are based on these reviews.
The Editor-in-Chief will notify authors as early as possible as to whether their paper has been accepted for publication. Selected manuscripts are assigned a member of the editorial team, who will work with the author to address any outstanding issues concerning style or substantive content prior to publication. Papers that do not abide by the publication’s style guide will not be accepted.
Once revisions have been completed and a final decision has been made by the Editor-in-Chief, final copyediting and formatting will be provided by BIG_Review.
Open Access and Distribution
BIG_Review is an open-access publication. It is available online for free to readers worldwide. You may share it with anyone.
Unless otherwise stated, all works are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). See also Copyright Notice.
We distribute each issue to a recipient list of more than 1000 scholars and policy makers located in Canada, the United States, Mexico and in over 60 other countries around the world. We also promote the content on social media, including paid promotion.
Fee for Publishing Academic Article or Essay
We are able to share peer-reviewed academic work around the world for free (open access) in part because we charge a $250 (Cdn) fee to the author(s). Authors should receive support from their research funds, grants, and supporting institutions to cover this fee. The fee allows author(s) to publish work that is both refereed and shareable with friends, family, and social media. The fee only applies once to academic articles and essays that have been approved and prepared for publication. There are no fees for submissions that are not published, and there are no fees for book or film reviews or for any artistic submissions (paint, poetry, story, etc.).
Academic Submission Requirements
Articles (social science and humanities papers that advance academic disciplines through research, data, and theory) should be between 7000 and 10,000 words in length.
Essays (including literature reviews, persuasive writing, opinion pieces) should be between 1000 and 4000 words, using few references (no more than 10 references, except for literature reviews, which may include more).
Research notes (engaging with single concepts, terms, or debates pertaining to border studies) should be between 750-1200 words, using few references (no more than five).
Book reviews (summarizing and evaluating academic monographs relating to borders) should be between 500 and 1000 words.
Film reviews (summarizing and evaluating films and television relating to borders) should be between 500 and 1000 words.
Submissions must be written in English (although we also consider French and Spanish submissions).
Citation style should adhere to Chicago "author-date" manual of style. This means all citations are contained inside parentheses within the text, listing author(s) last name, and the year of publication (and pagination when appropriate, especially following quotations). Complete bibliographic details of all references are contained in Works Cited at the end of the manuscript, listed alphabetically by author last name, with year of publication preceding work title. All references to academic journal articles must include DOIs or stable URLs at the end of the entry.
According to some scholars, borders raise ethical imperatives as well as territorial considerations; for example, "what borders do should always be related to the overriding ethical concern that they serve and not undermine human dignity" (Agnew 2008, 176).
Agnew, John. 2008. “Borders on the Mind: Re-framing Border Thinking”, Ethics & Global Politics 1(4): 175-91. https://doi. org/10.3402/egp.v1i4.1892
Andreas, Peter, and Thomas J. Biersteker (eds.). 2003. The Rebordering of North America: Integration and Exclusion in a New Security Context. London and New York: Routledge.
Jones, Reece. 2012. Border Walls: Security and the War on Terror in the United States, India, and Israel. New York and London: Zed Books.
O’Lear, Shannon. 2016. “Geopolitics and Climate Change: The Case of the Missing Embodied Carbon” in Shannon O’Lear and Simon Dalby (eds.), Reframing Climate Change: Constructing Ecological Geopolitics. London: Routledge. 100-115.
Quotations should never end with a period or a comma inside the quotation marks; periods and commas come after and outside the quotation marks, including with article "Titles", in the Works Cited (see Agnew above).
Endnotes should be used sparingly. Endnotes may be used for substantive observations or supplementary material, but not for citing. Endnotes should appear together at the end of the manuscript, not footnotes.
The text is double-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses). Sentences are separated by one space not two. Paragraphs are separated by an additional line.
All illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end (or markers are used within the text to indicate placement).
Submission files must be Microsoft Word (.doc or .docx) file format.
All academic articles and essays must include an ABSTRACT (75-200 words) that summarizes the paper, including the main argument or findings, the disciplinary background or approach, and any research literatures or theories substantially utilized.
All academic article and essay submissions must include two documents: a) an anonymized version (to be shared with prospective blind reviewers); and b) a separate copy of the title page alone with all author contact and affiliation information.
The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
Submissions are not guaranteed approval. BIG_Review reserves the right to reject submissions on any ground.
To submit academic work, follow the steps on our Submit page.
Artistic Submission Requirements
Our electronic platform permits a wide range of media, from print to visual, video, animation, and interactive.
Prose (short stories, creative essays, film and literature reviews, artistic/critical commentaries) should be double-spaced and use a 12-point font. Length may vary. Accompanying photos and artwork are welcome.
Visual art (photography, painting, etc.) and other visual art must be high-resolution, BMP, JPEG, or PNG, including separate captions.
Poetry formats may vary (length, layout, font, font size, etc). Accompanying photos and artwork are welcome.
All submissions must be previously unpublished and not simultaneously before other publishers for consideration, unless other arrangements are made with our editors.
Submissions are not guaranteed approval. BIG_Review reserves the right to reject submissions on any ground.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) that allows others to copy and redistribute the material, to remix, transform and bulid upon the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- Artists may discuss alternative copyrights with the managing editor.
The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.
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