Daha: “Chasing More Hope, Questing More Humanity”
Abstract
The 2018 Turkish film Daha, inspired by Hakan Günday's novel and directed by Onur Saylak, deals with the experiences of immigrants during border crossings and the migrant smuggling networks through the father and son relationship. It is the second film directed by Saylak, one of the most well-known actors in Turkey. Saylak explains that he directed this film with the motivation that cinema should teach people and the aim that makes the audience consider the topic of the film. Daha takes place in Kandalı, a fictional town on the Aegean coast of Turkey where migrant smuggling is intense. It indicates the journey of the migrant smuggled by sea, and presents the migrant smuggling networks and the actors who have different roles in this network: the smuggler, the leader of the safe house, and the boat owners. Ahad, the smuggler, and his 14 years-old son Gaza, the leader of the safe house, are the starring of the film. The plot of the film is presented from Gaza's perspective and narration. The text "the first tool used by a human is another person" reflected on the screen at the beginning of the film draws attention to migrant smuggling.
Downloads
Copyright (c) 2022 Medine Derya Canpolat

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) that allows others to copy and redistribute the material, to remix, transform and bulid upon the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- Artists may discuss alternative copyrights with the editors.