Bordering Democracies, Democratising Borders
Abstract
Over the past 30 years, border scholars have written extensively on what borders are, where they are located, and how they operate, not just to critically understand their changing role, but also to criticise and denounce their violence and discrimination. Yet borders continue to proliferate, in particular as a response to alleged crises affecting Europe. If borders have always constituted markers of social and cultural identity, the more recent process of European re-bordering, I argue, constitutes a challenge for the democratic system as a whole. Implemented by left-wing and right-wing parties alike, this process seems indeed to have been taken away from public discourse and treated as a technical necessity to solve the crises. Far from being neutral or non-political, however, it has disclosed new forms of racial discrimination, political and economic power, and colonial violence. In order to substantiate my argument, I will 1) provide a brief examination of the recent changes in the concept and practice of democracy, as well as their interrelations with the process of European re-bordering, 2) investigate the socio-political and economic conditions under which the current process of European re-bordering has come about, with particular attention to the increasing role of media and political discourses in shaping public opinion, and 3) discuss the repercussions of the process of European re-bordering on the democratic system. The article will conclude by inviting scholars, civil society members, and any interested party to open up a more open and democratic debate around the unequal and discriminatory practices of bordering.
Downloads
Copyright (c) 2024 Marco Mogiani

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) that allows others to copy and redistribute the material, to remix, transform and bulid upon the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- Artists may discuss alternative copyrights with the editors.