INTRODUCTION—Reinvigorating Ancestral Practices: Honoring Land and Water Defenders, Indigenous Internationalisms, and Community Protocols
Abstract
For Indigenous peoples, boundaries on homelands and waterways often denote places for family, clan and/or community responsibilities regarding stewardship or protection and are not merely lines of exclusion on a map. In this essay I begin by reflecting on the teachings of the late master carver and artist TEMOSEṈŦET (Dr. Charles Elliott from Tsartlip First Nation) and discuss how his artistry embodies Indigenous internationalism and intimate relationships to W̱SÁNEĆ lands and waters. Indigenous internationalism is practiced through diplomacies, activism, trade relations, treaties, solidarities, and other forms of Indigenous international relations which precede the formation of states. In this essay I look at the deeper meaning behind the Cherokee word for nation, ayetli, and discuss how Indigenous internationalism and land/water defense are expressed through stories, activism, and everyday actions that renew relational responsibilities to lands, waters, and more-than-human kin
Downloads
Copyright (c) 2024 Jeff Ganohalidoh Corntassel
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) that allows others to copy and redistribute the material, to remix, transform and bulid upon the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
- Artists may discuss alternative copyrights with the editors.