• From the Editor

  v-vi

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• Foreword

  Michelle Fillion

  1-4

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Articles

• Beverly Emmons Composing Light for Merce

  Claire Carolan

  5-22

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• Understanding Wolff through Music Problems with Reading Politics into His Early Work (1950–1976)

  Dave Riedstra

  23-44

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• Hearing and Seeing (Beyond) Finnegans Wake Roaratorio and the Revitalization of Cage’s and Cunningham’s Experiential Aesthetic

  Rena Roussin

  45-68

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• Anarchic Practices in the Merce Cunningham Dance Company’s Ocean

  Janet Sit

  69-93

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• Biographies

  94-95

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