The Art of Self-Protection: Interview with Los Tlakolulokos

Kay Gallivan

Abstract


This dialogue with Darío Canul and Cosijoesa Cernas explores the ideals, artistic practices, and political contexts that characterize their Oaxacan art collective, the Tlakolulokos. The Tlakolulokos began during the 2006 Oaxaca Uprising, one of many periods of political upheaval in twentieth century Mexico that catalyzed the development of political graphic and mural art. While the Tlakolulokos draw influence from their contemporaries and predecessors in the Mexican art world, their participation in the unique political atmosphere of Southern Rural Mexico differentiates them from other Mexican political art collectives.

Translated by Elise Cote Velazquez


Keywords


Tlakolulokos, graffiti, street art, graphic art, Mexico, Oaxac

References


Anaya, Yosi. "I Always Live, I Never Die: An Exhibition of Contemporary Textile Art." TEXTILE: Cloth and Culture 11.3 (2011): 398-404.

Avila, Theresa. "El Taller De Grafica Popular and the Chronicles of Mexican History and Nationalism." Third Text 28.3 (2014).

Carter, Warren. "Painting the Revolution: State, Politics, and Ideology in Mexican Muralism." Third Text 28.3 (2014).

Gallegos, César Navarro. "Ayotzinapa Y La Estirpe Insumisa Del Normalismo Rural." El Cotidiano 189 (2015): 95-105.

Héctor Espinosa. The City Talks: Urban Street Art and Social Movements in Oaxaca, Mexico: 1968/2006/2015. The City Talks Lecture Series, 2015.

Stephen, Lynn. We Are the Face of Oaxaca: Testimony and Social Movements. Durham: Duke UP, 2013. Print.


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