https://journals.uvic.ca/index.php/scene/issue/feedScene: Reviews of Early Modern Drama2022-04-24T09:09:57-07:00Kevin A Quarmbyreviews@uvic.caOpen Journal Systems<p><em>Scene </em>publishes <strong>review essays</strong> about early modern English drama in performance, <strong>reviews</strong> of productions and adaptations of early modern plays, <strong>book reviews</strong>, <strong>film reviews</strong>, and <strong>production notes</strong>. Our scope is mainstream professional productions, as well as university, drama school, and non-professional productions.</p>https://journals.uvic.ca/index.php/scene/article/view/20640Last-Play-Before-the-Apocalypse Revenger’s Tragedy2022-03-29T09:25:28-07:00Sarah DustagheerS.Dustagheer-463@kent.ac.uk2022-03-27T10:20:44-07:00Copyright (c) 2022 Sarah Dustagheerhttps://journals.uvic.ca/index.php/scene/article/view/19800Floating Hearts and Coronets2022-04-24T09:09:57-07:00Kevin A. Quarmbyreviews@uvic.ca<p>A review of the live virtual production of <em>King Lear</em>, presented by the San Francisco Shakespeare Festival for their "Shakespeare at Home" season 2020. Freely available to all via YouTube, this production featured actors performing the play in multiple and individual locations, the socially-distanced imperative facilitated by Zoom and Open Broadcaster Software technology to create a performance in "real-time" that captured the spirit of living theatre, while keeping all involved safe and gainfully employed.</p>2022-03-27T10:25:47-07:00Copyright (c) 2022 Kevin A. Quarmby