https://journals.uvic.ca/index.php/scene/issue/feed Scene: Reviews of Early Modern Drama 2019-09-15T17:35:10-07:00 Kevin A Quarmby reviews@uvic.ca Open Journal Systems <p><em>Scene&nbsp;</em>publishes <strong>review essays</strong> about early modern English drama in performance, <strong>reviews</strong> of productions and adaptations of early modern plays, <strong>book reviews</strong>, <strong>film reviews</strong>, and <strong>production notes</strong>. Our scope is mainstream professional productions, as well as university, drama school, and non-professional productions.</p> https://journals.uvic.ca/index.php/scene/article/view/18523 Henry V at the Oregon Shakespeare Festival 2019-01-23T15:20:12-08:00 Gretchen Minton gretchen.minton@montana.edu A review of the 2018 Oregon Shakespeare Festival production of <em>Henry V</em>. 2019-01-17T12:30:00-08:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/18795 Politics and People at the Bridge Theatre's Julius Caesar 2019-09-15T17:35:07-07:00 Erin E Kelly ekelly@uvic.ca Review of <em>Julius Caesar </em>(2018, Bridge Theatre, London, UK). 2019-02-08T00:00:00-08:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/18877 Intimate Without Intimacy: A Dramatic Reading of Galatea at the BMO Theatre Centre 2019-09-15T17:35:04-07:00 Jamie Paris jparis@corpuschristi.ca Jamie Paris reviews the November 10, 2018 semi-staged reading of John Lyly's <em>Galatea</em> on the Goldcorp Stage at the new BMO Theatre Centre in Vancouver, BC. The venture was a collaboration between the University of British Columbia, Bard on the Beach, and the Oecologies project. Paris describes the production, locates Lyly's politics, and reflects on the production's lessons about potential early stagings. Paris concludes with questions about the production's sexual politics and its potential engagement with environmental issues. 2019-04-14T00:00:00-07:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/19052 “It’s My Role and I’ll Cry if I Want To”: An All-Female Hamlet Claims Non-Gender Production Space 2019-09-15T17:35:02-07:00 Brooke Johnson reviews@uvic.ca <p>A review of the East Tennessee State University Department of Theatre &amp; Dance production of <em>Hamlet</em>.</p> 2019-07-04T00:00:00-07:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/19086 Theatre of Blood: The RSC Duchess of Malfi 2019-09-15T17:34:59-07:00 Erin E. Kelly ekelly@uvic.ca Janelle Jenstad jenstad@uvic.ca <p>A review of the Royal Shakespeare Company 2018 production of&nbsp;<em>The Duchess of Malfi</em>.</p> 2019-07-11T00:00:00-07:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/18731 The Merchant of Venice at the Utah Shakespeare Festival 2019-09-15T17:35:10-07:00 Jim Volz jvolz@exchange.fullerton.edu A Production Notice for the Utah Shakespeare Festival's 2018 <em>The Merchant of Venice</em>. 2019-01-17T12:30:00-08:00 ##submission.copyrightStatement## https://journals.uvic.ca/index.php/scene/article/view/18752 Utah Shakespeare's Merry Wives Offers Rowdy, Bawdy Shenanigans 2019-01-23T16:04:39-08:00 Jim Volz jvolz@exchange.fullerton.edu Production notice for Utah Shakespeare's 2018 <em>The </em><em>Merry Wives of Windsor</em>. 2019-01-23T00:00:00-08:00 ##submission.copyrightStatement##