Scene: Reviews of Early Modern Drama https://journals.uvic.ca/index.php/scene <p><em>Scene&nbsp;</em>publishes <strong>review essays</strong> about early modern English drama in performance, <strong>reviews</strong> of productions and adaptations of early modern plays, <strong>book reviews</strong>, <strong>film reviews</strong>, and <strong>production notes</strong>. Our scope is mainstream professional productions, as well as university, drama school, and non-professional productions.</p> University of Victoria en-US Scene: Reviews of Early Modern Drama 2562-1025 <p>Contributors retain the copyright of the text of their contributions. Any images contained therein are subject to the copyright specifications of their respective creators. <em>Scene</em>'s paratextual materials are freely available for quotation and reuse, with credit given to&nbsp;<em>Scene</em>.</p> Henry V at the Oregon Shakespeare Festival https://journals.uvic.ca/index.php/scene/article/view/18523 A review of the 2018 Oregon Shakespeare Festival production of <em>Henry V</em>. Gretchen Minton ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-01-17 2019-01-17 1 10.18357/scene012018mintonH5 Politics and People at the Bridge Theatre's Julius Caesar https://journals.uvic.ca/index.php/scene/article/view/18795 Review of <em>Julius Caesar </em>(2018, Bridge Theatre, London, UK). Erin E Kelly ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-02-08 2019-02-08 1 10.18357/sremd01201818795 Intimate Without Intimacy: A Dramatic Reading of Galatea at the BMO Theatre Centre https://journals.uvic.ca/index.php/scene/article/view/18877 Jamie Paris reviews the November 10, 2018 semi-staged reading of John Lyly's <em>Galatea</em> on the Goldcorp Stage at the new BMO Theatre Centre in Vancouver, BC. The venture was a collaboration between the University of British Columbia, Bard on the Beach, and the Oecologies project. Paris describes the production, locates Lyly's politics, and reflects on the production's lessons about potential early stagings. Paris concludes with questions about the production's sexual politics and its potential engagement with environmental issues. Jamie Paris ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-04-14 2019-04-14 1 10.18357/sremd01201818877 “It’s My Role and I’ll Cry if I Want To”: An All-Female Hamlet Claims Non-Gender Production Space https://journals.uvic.ca/index.php/scene/article/view/19052 <p>A review of the East Tennessee State University Department of Theatre &amp; Dance production of <em>Hamlet</em>.</p> Brooke Johnson ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-07-04 2019-07-04 1 10.18357/sremd01201819052 Theatre of Blood: The RSC Duchess of Malfi https://journals.uvic.ca/index.php/scene/article/view/19086 <p>A review of the Royal Shakespeare Company 2018 production of&nbsp;<em>The Duchess of Malfi</em>.</p> Erin E. Kelly Janelle Jenstad ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-07-11 2019-07-11 1 10.18357/sremd01201819086 The Merchant of Venice at the Utah Shakespeare Festival https://journals.uvic.ca/index.php/scene/article/view/18731 A Production Notice for the Utah Shakespeare Festival's 2018 <em>The Merchant of Venice</em>. Jim Volz ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-01-17 2019-01-17 1 10.18357/sremd01201818731 Utah Shakespeare's Merry Wives Offers Rowdy, Bawdy Shenanigans https://journals.uvic.ca/index.php/scene/article/view/18752 Production notice for Utah Shakespeare's 2018 <em>The </em><em>Merry Wives of Windsor</em>. Jim Volz ##submission.copyrightStatement## https://creativecommons.org/licenses/by-nc-nd/4.0 2019-01-23 2019-01-23 1