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  1. Home /
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  3. Vol. 3 No. 1 (2019): Annual

Vol. 3 No. 1 (2019): Annual

Published: 2019-10-23

Editorials

  • Scene logo

    Little Did We Know!

    Kevin A. Quarmby
    • PDF

Performance Reviews

  • Romeo and Juliet kissing

    Reprising ASL at ACT Romeo and Juliet at A Contemporary Theatre

    Michael W. Shurgot
    • PDF
  • So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare

    Dan Mills
    • PDF
  • From Rigid Regency Sicilia to Musical Bohemia: Cincinnati Shakespeare Company's The Winter's Tale

    Niamh J. O'Leary
    • PDF
  • One-Click Russian Populism in Putinesque The Knight of the Burning Pestle

    Kevin A. Quarmby
    • PDF
  • Misrule and Melancholy: Stamford Shakespeare Company's Gender-Bending Twelfth Night

    Stephanie Collins
    • PDF
  • A Youthful Julius Caesar Experiment

    Erin E. Kelly, Janelle Jenstad
    • PDF
  • A Midsummer Night's Dream at Cardiff Castle

    P.B. Roberts
    • PDF
  • Bard on the Beach production still from 2019 Taming of the Shrew

    Katie Get Your Gun: Frolicking through the Wild Wild West in Bard on the Beach’s The Taming of the Shrew

    Meredith Beales
    • PDF

Production Notices

  • David Haysom, Jamie Konchak, Jaden Sullivan, Amy On, Avital Fertel, Sarah Wheeldon, and Roger LeBlanc in The Merchant of Venice. Set and costume design by Jennifer Lee Arsenault (MFA’14), and lighting design by Narda McCarroll. Photo credit: Tim Nguyen.

    The Tempest and The Merchant of Venice at the Shakespeare Company, Calgary

    Clifford Werier
    • PDF
  • Bard on the Beach production still from 2019 Shakespeare in Love

    A Passion for Love, and for Theatre

    Michelle LaFlamme
    • PDF
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