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Current Issue

Vol 3 No 1 (2019): Spring and Summer
Published: 2019-10-23

Performance Reviews

  • Romeo and Juliet kissing
    Reprising ASL at ACT Romeo and Juliet at A Contemporary Theatre
    Michael W. Shurgot
    • PDF
  • Cover Image
    So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare
    Dan Mills
    • PDF
  • Cover Image
    From Rigid Regency Sicilia to Musical Bohemia: Cincinnati Shakespeare Company's The Winter's Tale
    Niamh J. O'Leary
    • PDF
  • Cover Image
    One-Click Russian Populism in Putinesque The Knight of the Burning Pestle
    Kevin A. Quarmby
    • PDF
  • Cover Image
    Misrule and Melancholy: Stamford Shakespeare Company's Gender-Bending Twelfth Night
    Stephanie Collins
    • PDF
  • Cover Image
    A Youthful Julius Caesar Experiment
    Erin E. Kelly, Janelle Jenstad
    • PDF
  • Cover Image
    A Midsummer Night's Dream at Cardiff Castle
    P.B. Roberts
    • PDF

Production Notices

  • David Haysom, Jamie Konchak, Jaden Sullivan, Amy On, Avital Fertel, Sarah Wheeldon, and Roger LeBlanc in The Merchant of Venice. Set and costume design by Jennifer Lee Arsenault (MFA’14), and lighting design by Narda McCarroll. Photo credit: Tim Nguyen.
    The Tempest and The Merchant of Venice at the Shakespeare Company, Calgary
    Clifford Werier
    • PDF
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Scene is produced on the traditional and unceded territories of the Songhees, Esquimalt, and WSÁNEĆ peoples whose historical relationships with the land continue to this day.

EISSN   2562-1025

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